![[korg]](../../images/misc/korg.gif)
![[ms50 title]](../../images/ms50/ms50title.gif)
3. The modules and their functions ^
(12) RING MODULATOR
![[ringmod module]](../../images/ms50/50rm.jpg)
- ring modulator
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For the two input signals that the ring modulator will multiply the voltage of to produce an A x B output. For example, when input voltage A is -2V, and input voltage B is +3V, the output voltage will be (-2) x (+3) x 1/3 = -2V. |
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This jack provides the output voltage corresponding to A x B. When input signals A and B are audio frequencies (20 Hz ~ 15 kHz), the output signal will consist of all the sum and difference frequencies that can be generated from the harmonic overtones present in the inputs. In this case, the fundamental frequencies are cancelled to produce a tone color that has no clear pitch. |
The basic principle is the same as amplitude modulation (AM) by which the VCA produces a tremolo effect. For your reference, the figure below shows the difference between tremolo and ring modulator envelopes.
![[rm envelopes]](../../images/ms50/50rmtr.jpg)
- tremolo and ring modulator envelopes
While the figure above only shows the envelopes, an oscilloscope will also reveal the modulated signals which would be located between the upper and lower lines of the envelopes drawn here. For the ring modulator, you would be able to see that the modulated signal's phase or polarity is inverted during the time when the dotted line is above the solid line in the figure.
You can also analyse the ring modulator's input and output relationships from a mathematical point of view.
If input signal A is a sin
at, and input signal B is b sin
bt, then A x B = a sin
at x b sin
bt = ab/2 [cos (
a +
b) t = cos (
a -
b) t], so that we obtain an output signal having a new harmonic frequency composition consisting of the sum and difference frequencies of the harmonics in our A and B input signals.